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in kyoto, in NewZealand, in Oz land, be in adventures, is the life of mine at this moment
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ヨーロピアンカフェってところで
会員証作ったー!
いったいどれだけ飲んだら、一杯がただになるのかわからへんけども!笑

すきっ腹に ブラウンエール的なやつと、
二杯目にヒューガルデン飲んで、おいおい帰宅できるか?と心配になるくらいの酔いが回ったところで、演奏したい曲をガチで頭に流したら
各楽器の特徴というか、演奏内で強調したい持ち味が感じられてきて

私ぜんぜん音楽の知識ないくせに
経験豊富なLadsに物申す。ふふふー

記念に書き残しとこ!

※今のところガッツリ林檎さんからの選曲で進んでいる私たち。
ドリカムのどの曲するかはまだこれから決まると思うー

甘い系の声で絢香かくじら12号かスワロウテイルしたいなぁ…
って、英語の曲いっこもないやんけ!

以下原文まま(笑) JpとYuとMikoは仲間の名前。
So, I've thought of songs again! here are my several desires to make harmony.
I don't have good knowledge/experiences of music like you guys, also it's before listening to the session... so please get it as small opinions of mine.

I guess we imagine how the audience listen to the music and we make balance of sounds?
But about "Marunouchi-Sadistic(丸の内サディスティック)" I want to think of it to ENJOY our playing. in other words, playing with "playing music"?
So Jp san, I would love you to choose your favorite instrument to play Marunouchi-Sadistic.(may you have decided already?!)
But I think other Shiina songs need base sounds...? Then Yu's piano can be shining brighter. His piano is our brilliant charm to make wonderful taste.
I imagine how Yu's piano is cool in the Shiina Ringos.

"Tsumi to Batsu(罪と罰)"&"Kabuki-cho no Jo-oh(歌舞伎町の女王)" can be songs not for singing but for playing instruments.
Especially interlude/postlude is a super cool high point of the performance!
I think I'll freak out unless following JP's stable tones in it. can be halohalo-mind...

I'm so excited to listen to Miko's strong sounds of drum till I need to get worried about his right hand tongue emoticon
You are an only person who I haven't listened to.(I listened to your voice a lot the other day, though hehe) I can't wait!! XD

...would it be better to talk about these things during playing music??
I would love to get your opinions anytime!

Thank you for reading it.
Sweet dreams gentlemen.

Sincerely yours,
Annie
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